Richard Church’s levitation experience

Richard Church (1893-1972)

Richard Church was a poet and novelist who was particularly active during the 1930s and 1940s. Perhaps his best known work of prose is the semi-autobiographical trilogy consisting of the novels The Porch, The Stronghold and The Room Within.

Church became better known in later life for his childhood autobiography, Over the Bridge. In this, he recounts two phenomena which he experienced while spending time in a convalescent home (he was prone to poor health as a child).

The first experience involved the perception of time.

One heavy morning, when the outside world was iron-bound with frost, I stood at a long french window in the play-room waiting to go down to breakfast. The sun was just risen beyond the ground, and stood above the lawns, his great red disk etched with naked twigs of the bushes. Under these bushes a gardener was chopping down a dead tree. I watched him. The axe flashed red, and fell. It rose again. The movement, steady and sure, fascinated me. Suddenly I realised that the sound of the blows did not synchronise with what I saw. The thud came when the axe was on an upstroke, ready for the next blow.

I disbelieved the evidence of my eyes. Then I thought my spectacles (those miracle workers) must have betrayed me; or that my illness had begun to affect my vision. I stared intently, screwing up the eye-muscles against any possible intrusion of light or irrelevant image. But the picture I saw and the sound I heard remained disparate. Then, while I stared, knowledge came to me; the knowledge that follows a recognition of fact, of concrete experience, bringing with it a widening both of the universe and of the individual's understanding of it. [...] I had found that time and space are not absolute. Their power was not law. They were not even unanimous; they quarrelled with each other; and through their schism the human imagination, the hope, the faith, could slip, to further exploration where intuition had formerly hinted, but where logic and fatal common sense had denied.

Church continues by describing a second experience, involving him apparently levitating.

Since time and space were deceivers, openly contradicting each other, and at best offering a compromise in place of a law, I was at liberty to doubt further, to carry on my exploration of the horizons of freedom. Still conscious of the warm blood whispering in my veins, I looked down at my wrist and saw the transparent flesh, the bird-bones, the channels of blue beneath the skin. All this was substance as fragile as a plant. It could not possibly outweigh the solid earth under my feet, where I and the rest of duped mankind walked with such docility. [...] I sensed, with a benignancy deeper and more assured than reason, that my limbs and trunk were lighter than they seemed, and that I had only to reduce them by an act of will, perhaps by a mere change of physical mechanics, to command them off the ground, out of the tyranny of gravitation.

I exerted that will, visualising my hands and feet pressing downwards upon the centre of the earth. It was no surprise to me that I left the ground, and glided about the room (which was empty) some twelve or eighteen inches above the parquet floor. At first I was afraid of collapsing, of tumbling and hurting myself. But I had only to draw in a deep breath, and to command the air through the heavy portions of my anatomy, watching it flow and dilute the solid bone and flesh through the helpful chemistry of the blood, this new, released and knowledgeable blood, and I soared higher, half-way to the ceiling. This thoroughly frightened me, and I allowed myself to subside, coming to ground with a gentleness that was itself a sensuous delight.

I could not leave the matter there. I must put my discovery to the test again, and accordingly I drew in a deep breath and was just about to visualise that downward pressure of will upon body, when the door opened, and a nurse came in.

'Why, little boy?' she said. 'Haven't you heard the breakfast bell?'

Then she took a second glance at me, stooped and peered into my face. 'Is anything wrong? Are you feeling poorly this morning?'

I was almost indignant, and disclaimed the suggestion that I might have a temperature, for that would mean going to bed in the large ward where a pail stood conspicuously in the middle, on a sheet of mackintosh; an improvisation which disgusted me.

I hurried away without replying, leaving the nurse looking after me with some inquiry in her manner. The corridor and staircase were empty, for everybody was at breakfast in the vast dining-room below. Here was another opportunity! I drew my breath again, I scorned the liars of time and space, I took the presence of Christ into my hollow, featherweight bones, and I floated down the staircase without touching either tread or baluster. Alighting outside the dining-room door, I entered and took my seat, content now to live incognito amongst these wingless mortals.

Extracts taken from Richard Church, Over the Bridge, London: Heinemann, 1970, pp.170-173.